The Storyboard
If it's a film you're looking to make, make sure you draw it in a rectangular frame under the ratio of 16:9. You can get even further than this, such as, 2:3:0:3:2 or something. TV is typically 4:3. This is rubbish as it is a square causing you to centre your film around what's in the centre. It provides only just enough space for a person's face.
The analysis of your storyboard must include no description at all, this is to go in your actual storyboard if necessary. If your storyboard is for a narrative, make it a short film and not part of a film as you'll have to go into deep explanation for this, don't bother blud.
Example of storyboard : Shot 1, EXT: DAY (Shot 1a - 1b)
"Hello you alright?
MCU
Developing shot e.g. Pan left to right (when you have shot 1a -1b)
(Do not write more than one line between boxes.)
SFX go in the audio box on the right, draw a line to resemble how long the sound lasts.
Fade to Black / Cut to /etc / Shot 2 (Dialoggue can b e shortened to "I love you because ... I killed him ... I'm sorry to have killed you as well."
in the analysis, obey these 3 golden rules, you might want to think about these before you start the storyboard as well.
- Introduce concept : Graphic match, offscreen sound, juxtaposition between cuts
- Primary exemplification : that is what is in your storyboard
- Qualify with Secondary resource : Books
The two Silver / Platinum rules (I cannot tell because they look the same)
- Tertiary example : Another film that uses the technique you used
- Compare and Contrast : With that film.
You cannot say everything about your storyboard in just 1000 words, so be imaginative as possible and I'm sure your marks will rise because he examiner can see what your ideas are without you writing about them.
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