Performance

4 hours of practice

on Feuillard 9, 18, 32 and 33. Most of the work on 32 (the bowing exercise on C)

Also on Debussy and Beethoven, but mainly Debussy.

The great thing is that now the technique has been sorted (mostly) I can practice for hours without losing stamina. It's great when the subconcious takes over and you still get everything in time and in tune.

I'm experimenting with different vibrato velocities and different ways.